Landscapes &
Architecture
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 40
Year: 2026
Image Size: 12" x 6"
Description:
Grand Canyon at Sunset is a one plate aquatint etching of the view from the south rim of the Grand Canyon.
Artist: Michel Estèbe, FRANCE
Media: Mezzotint
Edition: 60
Year: 2026
Image Size: 9” x 8”
Description:
Kingfisher II, #2 is a mezzotint by Michel Estebe. A brightly colored kingfisher in flight with an intricately detailed black and white landscape background. This print was made after Kingfisher II, 1st state by burnishing the black mezzotint background into the landscape you see in this image. Edition number 11
Artist: Giorgio Ferrari, ITALY
Media: Etching
Edition: 150
Image Size: 3 1/2" x 3 1/2"
Description:
This hand-colored etching by Giorgio Ferrari is of an old wooden cart. Giorgio Ferrari was born in Milan, Italy in 1936. Self-taught, he has been painting since his youth but it was only when he reached the "watershed" of his 40th birthday that he decided to leave his job as a company manager and make painting his sole career. His work with oil and acrylic paints was soon joined by etching until--enraptured by the many, fascinating aspects of this centuries-old technique--he decided to concentrate all his activity on this expressive medium. Ferrari loves depicting nature in all its facets and without changing or distorting anything.
He prefers to record calm, pleasant scenes, sending out a "positive message despite the deterioration, which increasingly surrounds us.” It is certainly true that many people appreciate this vision of the environment and it is thanks to them that Ferrari's etchings leave the little village in Northern Italy.
Artist: Giorgio Ferrari, ITALY
Media: Etching
Edition: 150
Image Size: 9" x 11"
Description:
This hand-colored etching by Giorgio Ferrari is of a vineyard with a basket of grapes in the foreground. Giorgio Ferrari was born in Milan, Italy in 1936. Self-taught, he has been painting since his youth but it was only when he reached the "watershed" of his 40th birthday that he decided to leave his job as a company manager and make painting his sole career. His work with oil and acrylic paints was soon joined by etching until--enraptured by the many, fascinating aspects of this centuries-old technique--he decided to concentrate all his activity on this expressive medium. Ferrari loves depicting nature in all its facets and without changing or distorting anything.
He prefers to record calm, pleasant scenes, sending out a "positive message despite the deterioration, which increasingly surrounds us.” It is certainly true that many people appreciate this vision of the environment and it is thanks to them that Ferrari's etchings leave the little village in Northern Italy. Edition number 54
Artist: Giorgio Ferrari, ITALY
Media: Etching
Edition: 150
Image Size: 17 1/2" x 6"
Description:
This hand-colored etching by Giorgio Ferrari is of an Italian countryside. GC183. Giorgio Ferrari was born in Milan, Italy in 1936. Self-taught, he has been painting since his youth but it was only when he reached the "watershed" of his 40th birthday that he decided to leave his job as a company manager and make painting his sole career. His work with oil and acrylic paints was soon joined by etching until--enraptured by the many, fascinating aspects of this centuries-old technique--he decided to concentrate all his activity on this expressive medium. Ferrari loves depicting nature in all its facets and without changing or distorting anything.
He prefers to record calm, pleasant scenes, sending out a "positive message despite the deterioration, which increasingly surrounds us.” It is certainly true that many people appreciate this vision of the environment and it is thanks to them that Ferrari's etchings leave the little village in Northern Italy. Edition number 101
Artist: Mikel Chaussepied, FRANCE
Media: Engraving
Edition: 32
Image Size: 6 1/2" x 4 5/8"
Description:
A garden gate with flowering shrubs surrounding it. Black ink on grey paper.
Born in October 1936 in Quimper into a family of architects, Mikel Chaussepied began his artistic studies between 1955 and 1958 at School of Fine Arts and Applied Arts of Cornouaille, which was later succeeded by the current European School of Art of Brittany. He continued his studies at the Regional School of Fine Arts in Rennes, presenting as his "regional culture thesis" a study in twenty lithographs of a canning factory in Kérity-Penmarc’h, and obtained his national diploma in Paris in 1960.
He began exhibiting as a painter in 1963 in Quimper. This first exhibition was followed by many others, both solo and group shows, in Nantes, Brest, Lorient, Rennes, and Paris. Having learned intaglio under Roland Sénéca in 1972, he soon began to exhibit engravings. In 1981, Soïchi Hasegawa invited him to exhibit at the Salon of Young Contemporary Engraving in Paris.
Apart from his lithographs created at the École des Beaux-Arts in Rennes and, more recently, ventures into relief etching, Mikel Chaussepied is primarily an intaglio printmaker who practices and combines etching, aquatint, and drypoint. His work is not exclusively Breton: it also reflects the curiosity of this traveling artist for Ireland (The Slea Head Wreck, Ireland), the English Cornwall (Boscastle, Cornwall), Australia (The Lightning-Struck Tree; The Swans of the Coorong), Patagonia (On the Patagonian Canals), Canada, the Seychelles (The Villa of the Seychelles)... Finistère, however, remains the most frequent setting, and within this department, a few favorite locations: the island of Molène, the Elorn River, as seen from his window in Le Relecq-Kerhuon, or the Cap Sizun, etc.
A figurative artist, attentive to landscapes both natural and shaped by humans, Mikel is a distant heir of the 'view artists' who roamed the French departments in the first half of the 19th century to record their various aspects during "picturesque and romantic journeys." He shares their fascination – also that of Henri Rivière – for the geological wonders of the Crozon Peninsula or the Cape. He is their successor and updates their perspective, for example when he engraves a particular aspect of Brest following its reconstruction.
Edition number 22
Artist: Mikel Chaussepied, FRANCE
Media: Engraving
Edition: 50
Image Size: 7 3/4" x 5 3/8"
Description:
Locronan, a Commune in Finistère, France.
Born in October 1936 in Quimper into a family of architects, Mikel Chaussepied began his artistic studies between 1955 and 1958 at School of Fine Arts and Applied Arts of Cornouaille, which was later succeeded by the current European School of Art of Brittany. He continued his studies at the Regional School of Fine Arts in Rennes, presenting as his "regional culture thesis" a study in twenty lithographs of a canning factory in Kérity-Penmarc’h, and obtained his national diploma in Paris in 1960.
He began exhibiting as a painter in 1963 in Quimper. This first exhibition was followed by many others, both solo and group shows, in Nantes, Brest, Lorient, Rennes, and Paris. Having learned intaglio under Roland Sénéca in 1972, he soon began to exhibit engravings. In 1981, Soïchi Hasegawa invited him to exhibit at the Salon of Young Contemporary Engraving in Paris.
Apart from his lithographs created at the École des Beaux-Arts in Rennes and, more recently, ventures into relief etching, Mikel Chaussepied is primarily an intaglio printmaker who practices and combines etching, aquatint, and drypoint. His work is not exclusively Breton: it also reflects the curiosity of this traveling artist for Ireland (The Slea Head Wreck, Ireland), the English Cornwall (Boscastle, Cornwall), Australia (The Lightning-Struck Tree; The Swans of the Coorong), Patagonia (On the Patagonian Canals), Canada, the Seychelles (The Villa of the Seychelles)... Finistère, however, remains the most frequent setting, and within this department, a few favorite locations: the island of Molène, the Elorn River, as seen from his window in Le Relecq-Kerhuon, or the Cap Sizun, etc.
A figurative artist, attentive to landscapes both natural and shaped by humans, Mikel is a distant heir of the 'view artists' who roamed the French departments in the first half of the 19th century to record their various aspects during "picturesque and romantic journeys." He shares their fascination – also that of Henri Rivière – for the geological wonders of the Crozon Peninsula or the Cape. He is their successor and updates their perspective, for example when he engraves a particular aspect of Brest following its reconstruction.
Edition number 43
Artist: Mikel Chaussepied, FRANCE
Media: Engraving
Edition: 55
Image Size: 3" x 2 1/2"
Description:
Pastoral scene on very thin paper. Some scarring on verso, at corners of paper - not in image or immediate border.
Born in October 1936 in Quimper into a family of architects, Mikel Chaussepied began his artistic studies between 1955 and 1958 at School of Fine Arts and Applied Arts of Cornouaille, which was later succeeded by the current European School of Art of Brittany. He continued his studies at the Regional School of Fine Arts in Rennes, presenting as his "regional culture thesis" a study in twenty lithographs of a canning factory in Kérity-Penmarc’h, and obtained his national diploma in Paris in 1960.
He began exhibiting as a painter in 1963 in Quimper. This first exhibition was followed by many others, both solo and group shows, in Nantes, Brest, Lorient, Rennes, and Paris. Having learned intaglio under Roland Sénéca in 1972, he soon began to exhibit engravings. In 1981, Soïchi Hasegawa invited him to exhibit at the Salon of Young Contemporary Engraving in Paris.
Apart from his lithographs created at the École des Beaux-Arts in Rennes and, more recently, ventures into relief etching, Mikel Chaussepied is primarily an intaglio printmaker who practices and combines etching, aquatint, and drypoint. His work is not exclusively Breton: it also reflects the curiosity of this traveling artist for Ireland (The Slea Head Wreck, Ireland), the English Cornwall (Boscastle, Cornwall), Australia (The Lightning-Struck Tree; The Swans of the Coorong), Patagonia (On the Patagonian Canals), Canada, the Seychelles (The Villa of the Seychelles)... Finistère, however, remains the most frequent setting, and within this department, a few favorite locations: the island of Molène, the Elorn River, as seen from his window in Le Relecq-Kerhuon, or the Cap Sizun, etc.
A figurative artist, attentive to landscapes both natural and shaped by humans, Mikel is a distant heir of the 'view artists' who roamed the French departments in the first half of the 19th century to record their various aspects during "picturesque and romantic journeys." He shares their fascination – also that of Henri Rivière – for the geological wonders of the Crozon Peninsula or the Cape. He is their successor and updates their perspective, for example when he engraves a particular aspect of Brest following its reconstruction.
Edition number 14
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 150
Year: 1981
Image Size: 36" x 24"
Description:
The Slot #8 is a 1 plate aquatint etching by Stephen McMillan. The image is a slot canyon near Borrego Mountain, Anza Borrego State Park, San Diego County, California. Edition number APXIV
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 2
Year: 1999
Image Size: 24" x 36"
Description:
December Morning is a 1 plate aquatint etching by Stephen McMillan of Helen Putnam Regional Park, Petaluma, California.
Long sold out, this is a much sought after image. This particular pull is one of two that Steve’s printers made to help him decide on a final color for the edition.
In the Fall and Winter cool damp fogs often descend upon the hills around Petaluma. This can be a magical time to wander through the native oak woodlands. One morning in December of 1995 was particularly beautiful. -Stephen McMillan
Other etchings based on this morning walk are: Winter Morning, Emma's Woods (rare - just one left!), Oak Grove, Morning Walk (sold out), Oak Grove, 1 plate edition, Misty Morning, Winter Oaks, and Winter Oaks #2. Edition number CTP 2
Artist: Peter Jogo, USA
Media: Mezzotint
Year: 2003
Edition: 30
Image Size: 8" x 6 3/4"
Description:
5 plate Mezzotint Engraving by Peter Jogo of a rural scene with dramatic clouds. Edition number 25
Artist: Micah Schwaberow, USA
Media: Wood Block
Edition: various
Year: 1988, 1989
Image Size: 3" x 3"
Description:
A suite of five original woodblock prints by Micah Schwaberow, of scenes from Yosemite National Park, matted to 11" x 14" in acid-free matboard and presented in an archival box.
Contains the following titles:
Afternoon, Tuolumne Meadow
Day’s End, Lembert Dome
Twilight, Unicorn Peak
Dawn, Lyell Fork
Morning, Tuolumne River
One suite only.
Artist: Peter Jogo, USA
Media: Pastel
Year: 2025
Image Size: 21 3/4" x 14 1/4"
Description:
original pastel drawing by Peter Jogo - unframed. Moonstone Beach in Cambria on California’s Central Coast. A stunningly realistic pastel drawing of the Pacific Ocean, rocks and Moonstone Beach with San Simeon to the North.
Artist: Jean Michel Mathieux-Marie, FRANCE
Media: Engraving
Edition: 180
Image Size: 12 3/4" x 6 3/4"
Description:
L'isl Tiburine is a steel plate engraving printed chine collé by Jean Michel Mathieux-Marie. Edition number 51
Artist: Monique Wales, USA
Media: Lino Cut
Image Size: 5" x 12"
Description:
A reduction lino-cut of a feather from a Red Tail Hawk by California artist, Monique Wales. Open edition - varied
Artist: Judith Rothchild, FRANCE
Media: Mezzotint
Edition: 75
Image Size: 3 7/8" x 7 3/4"
Description:
Mezzotint Engraving by Judith Rothchild, matted in acid-free eggshell to 13” x 16”. Light and shadows in the dark passageways of this old quarter in Morrocco. This is one of a series of mezzotints made while the artist was there.
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 80
Year: 2025
Image Size: 9" x 12"
Description:
1 plate aquatint etching by Stephen McMillan. Emigrant Lake, south of Ashland Oregon. Edition Number 2
“The afternoon sun cast intricate shadows through the oak woodland by Emigrant Lake, south of Ashland Oregon on this beautiful April day” -Stephen McMillan
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 50
Year: 2025
Image Size: 12" x 9"
Description:
3 plate aquatint etching by Stephen McMillan. Mt Shasta from Trinity Wilderness, California.
“Near our camping spot in the Trinity Wilderness in northern California there was this spectacular view of Mt Shasta to the northeast. I visited this view a few times, the last being before returning to camp to sleep under the stars. In this print I try to capture the soft evening light as the light fades.” -Stephen McMillan
Edition Number 7
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 80
Year: 2025
Image Size: 5" x 4"
Description:
3 plate aquatint etching by Stephen McMillan. Mt Shasta from Trinity Wilderness, California
“Near our camping spot in the Trinity Wilderness in northern California there was this spectacular view of Mt Shasta to the northeast. I visited this view a few times, the last being before returning to camp to sleep under the stars. In this small print I accentuated the soft evening light of the moment.” -Stephen McMillan.
Edition Number ap VII
Artist: Doug Hunt, USA
Media: Oil Stick
Image Size: 27" x 8"
Description:
Original Oil stick painting by Doug Hunt.
Artist: Doug Hunt, USA
Media: Oil Stick
Image Size: 22" x 8"
Description:
Original Oil stick painting by Doug Hunt.
Artist: Kathleen Cantin, USA
Media: Etching
Edition: 750
Image Size: 24" x 18
Description:
etching by Kathleen Cantin minor damage around edges of paper - image is fine image size approx: 24 " x 18"
Artist: Doug Hunt, USA
Media: Etching
Edition: 350
Image Size: 24" x 9"
Description:
Etching by Doug Hunt Edition number 9
Artist: Anne Belov, USA
Media: Etching
Edition: 350
Image Size: 11 1/2" x 14 1/2"
Description:
etching by Anne Belov edition of 350 Anne Belov has been painting and drawing for more than 25 years. She received her BFA from Philadelphia College of Art (now University of the Arts) in Philadelphia , PA and her MFA from the University of Washington . Her work is in many collections and has been exhibited in Alaska , California , Massachusetts , New Jersey , Oregon , Pennsylvania , Washington D.C. and Washington State . Her work has been featured in "American Artist Magazine" in 1988, 1990, 1993 and 1995. Anne Belov states, "My objective is to create a sense of place and time through light, color, composition, and relationships between objects. My work contains both still life and landscape images, sometimes in the same painting. "I was attracted to the art of etching by my love of drawing, and the line illustrations of an earlier era. Building my compositions through line, texture and tonalities satisfies an impulse that is different than painting with acrylics or watercolors. It is my sincere belief that different media and techniques feed each other, and that I bring things to etching from my paintings, and then back again to printmaking." Edition number 236
Artist: Anne Belov, USA
Media: Etching
Edition: 350
Image Size: 9 1/2" x 11 1/2"
Description:
Etching by Anne Belov edition of 350 Anne Belov has been painting and drawing for more than 25 years. She received her BFA from Philadelphia College of Art (now University of the Arts) in Philadelphia , PA and her MFA from the University of Washington . Her work is in many collections and has been exhibited in Alaska , California , Massachusetts , New Jersey , Oregon , Pennsylvania , Washington D.C. and Washington State . Her work has been featured in "American Artist Magazine" in 1988, 1990, 1993 and 1995. Anne Belov states, "My objective is to create a sense of place and time through light, color, composition, and relationships between objects. My work contains both still life and landscape images, sometimes in the same painting. "I was attracted to the art of etching by my love of drawing, and the line illustrations of an earlier era. Building my compositions through line, texture and tonalities satisfies an impulse that is different than painting with acrylics or watercolors. It is my sincere belief that different media and techniques feed each other, and that I bring things to etching from my paintings, and then back again to printmaking." Edition Number 129
Artist: Justin Ward, USA
Media: Chine Colle
Edition: 10
Image Size: 10" x 7 3/4"
Description:
Chine colle Etching by Justin Ward- edition of 10 Justin Ward grew up in Central California. After graduating from Carmel High School in 1979, he attended art school at California College of Arts and Crafts in Oakland and received a graphic design degree. While at CCAC he taught himself the art of etching by using the printmaking studio facilities at nights and weekends. He has been a working professional art director for over 20 years but never lost his initial love for printmaking. Although heavily influenced by Whistler and by local Monterey artist/etcher Armin Hansen, Justin has a unique style that combines years of studying the old masters and his own fresh approach to printmaking.
Artist: Anne Belov, USA
Media: Etching
Edition: 200
Image Size: 3 1/2" x 6 1/2"
Description:
Etching by Anne Belov edition of 200 Anne Belov has been painting and drawing for more than 25 years. She received her BFA from Philadelphia College of Art (now University of the Arts) in Philadelphia , PA and her MFA from the University of Washington . Her work is in many collections and has been exhibited in Alaska , California , Massachusetts , New Jersey , Oregon , Pennsylvania , Washington D.C. and Washington State . Her work has been featured in "American Artist Magazine" in 1988, 1990, 1993 and 1995. Anne Belov states, "My objective is to create a sense of place and time through light, color, composition, and relationships between objects. My work contains both still life and landscape images, sometimes in the same painting. "I was attracted to the art of etching by my love of drawing, and the line illustrations of an earlier era. Building my compositions through line, texture and tonalities satisfies an impulse that is different than painting with acrylics or watercolors. It is my sincere belief that different media and techniques feed each other, and that I bring things to etching from my paintings, and then back again to printmaking." Edition Number 77
Artist: Anne Belov, USA
Media: Etching
Edition: 200
Image Size: 5" x 5 1/2"
Description:
Etching by Anne Belov edition of 200 Anne Belov has been painting and drawing for more than 25 years. She received her BFA from Philadelphia College of Art (now University of the Arts) in Philadelphia , PA and her MFA from the University of Washington . Her work is in many collections and has been exhibited in Alaska , California , Massachusetts , New Jersey , Oregon , Pennsylvania , Washington D.C. and Washington State . Her work has been featured in "American Artist Magazine" in 1988, 1990, 1993 and 1995. Anne Belov states, "My objective is to create a sense of place and time through light, color, composition, and relationships between objects. My work contains both still life and landscape images, sometimes in the same painting. "I was attracted to the art of etching by my love of drawing, and the line illustrations of an earlier era. Building my compositions through line, texture and tonalities satisfies an impulse that is different than painting with acrylics or watercolors. It is my sincere belief that different media and techniques feed each other, and that I bring things to etching from my paintings, and then back again to printmaking." Edition Number 27
Artist: Anne Belov, USA
Media: Etching
Edition: 200
Image Size: 6 1/4" x 3 1/2"
Description:
etching by Anne Belov edition of 350 Anne Belov has been painting and drawing for more than 25 years. She received her BFA from Philadelphia College of Art (now University of the Arts) in Philadelphia , PA and her MFA from the University of Washington . Her work is in many collections and has been exhibited in Alaska , California , Massachusetts , New Jersey , Oregon , Pennsylvania , Washington D.C. and Washington State . Her work has been featured in "American Artist Magazine" in 1988, 1990, 1993 and 1995. Anne Belov states, "My objective is to create a sense of place and time through light, color, composition, and relationships between objects. My work contains both still life and landscape images, sometimes in the same painting. "I was attracted to the art of etching by my love of drawing, and the line illustrations of an earlier era. Building my compositions through line, texture and tonalities satisfies an impulse that is different than painting with acrylics or watercolors. It is my sincere belief that different media and techniques feed each other, and that I bring things to etching from my paintings, and then back again to printmaking. Edition Number 27
Artist: Monique Wales, USA
Media: Lino Cut
Image Size: 4 1/2" x 5 3/4"
Description:
Ponderosa Pine in silhouette with a full moon. Open edition - varied