Landscapes &
Architecture
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 250
Year: 2007
Image Size: 11 1/4" x 3 3/4"
Description:
Skagit is a 1 plate aquatint etching by Stephen McMillan of Skagit Valley and the Cascades, Washington.
I have gotten a glimpse of this scene many times as I have driven east on Highway 20 over Swinomish Channel. This time I got a few shots as we arced over the bridge into Skagit Valley with the Cascade Range in the distance. I used eight creep-etches to achieve the tonal transitions in the layered ridges and tree lines. -Stephen McMillan
Special Order - allow 2 weeks for delivery.
Artist: Stephen McMillan, USA
Media: Ceramic Vessel
Year: 2026
Image Size: 5" x 4" - varies
Description:
We are thrilled to be offering a few of Stephen McMillan’s ceramic pieces - just in time for the holidays! These are one-off pieces, and the images are all hand drawn. Steve is applying the same techniques he has used throughout over 50 years of printmaking as he’s exploring a new medium. See if you can match the image to the etching that inspired it!
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 120
Year: 2023
Image Size: 5" x 4"
Description:
Aquatint Etching by Stephen McMillan looking West from Cypress Island, Washington.
There is a magical quality to the light in the San Juan Islands. Colors become richer as the day gives way to night.
Edition number 30
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 250
Year: 1996
Image Size: 36" x 24"
Description:
Tomales Point, Point Reyes National Seashore, Marin County, California
Point Reyes Seashore is a 4 plate aquatint etching by Stephen McMillan. This large, striking etching depicts the rugged Northern California coastline - steep cliffs descend to the Pacific Ocean below.
Edition number 162
Artist: Dale Rayburn, USA
Media: Monotype
Edition: 1
Image Size: 8" x 6"
Description:
Fading Dreams is a monotype by Dale Rayburn. Loose brush strokes define an autumn landscape with a small stream and trees with colorful, but fading fall foliage.
Artist: Monique Wales, USA
Media: Lino Cut
Image Size: 4 1/2" x 5 3/4"
Description:
Ponderosa Pine in silhouette with a full moon. Open edition - varied
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 40
Year: 2026
Image Size: 12" x 6"
Description:
Grand Canyon at Sunset is a one plate aquatint etching of the view from the south rim of the Grand Canyon.
Artist: Michel Estèbe, FRANCE
Media: Mezzotint
Edition: 60
Year: 2026
Image Size: 9” x 8”
Description:
Kingfisher II, #2 is a mezzotint by Michel Estebe. A brightly colored kingfisher in flight with an intricately detailed black and white landscape background. This print was made after Kingfisher II, 1st state by burnishing the black mezzotint background into the landscape you see in this image. Edition number 11
Artist: Giorgio Ferrari, ITALY
Media: Etching
Edition: 150
Image Size: 3 1/2" x 3 1/2"
Description:
This hand-colored etching by Giorgio Ferrari is of an old wooden cart. Giorgio Ferrari was born in Milan, Italy in 1936. Self-taught, he has been painting since his youth but it was only when he reached the "watershed" of his 40th birthday that he decided to leave his job as a company manager and make painting his sole career. His work with oil and acrylic paints was soon joined by etching until--enraptured by the many, fascinating aspects of this centuries-old technique--he decided to concentrate all his activity on this expressive medium. Ferrari loves depicting nature in all its facets and without changing or distorting anything.
He prefers to record calm, pleasant scenes, sending out a "positive message despite the deterioration, which increasingly surrounds us.” It is certainly true that many people appreciate this vision of the environment and it is thanks to them that Ferrari's etchings leave the little village in Northern Italy.
Artist: Giorgio Ferrari, ITALY
Media: Etching
Edition: 150
Image Size: 9" x 11"
Description:
This hand-colored etching by Giorgio Ferrari is of a vineyard with a basket of grapes in the foreground. Giorgio Ferrari was born in Milan, Italy in 1936. Self-taught, he has been painting since his youth but it was only when he reached the "watershed" of his 40th birthday that he decided to leave his job as a company manager and make painting his sole career. His work with oil and acrylic paints was soon joined by etching until--enraptured by the many, fascinating aspects of this centuries-old technique--he decided to concentrate all his activity on this expressive medium. Ferrari loves depicting nature in all its facets and without changing or distorting anything.
He prefers to record calm, pleasant scenes, sending out a "positive message despite the deterioration, which increasingly surrounds us.” It is certainly true that many people appreciate this vision of the environment and it is thanks to them that Ferrari's etchings leave the little village in Northern Italy. Edition number 54
Artist: Giorgio Ferrari, ITALY
Media: Etching
Edition: 150
Image Size: 17 1/2" x 6"
Description:
This hand-colored etching by Giorgio Ferrari is of an Italian countryside. GC183. Giorgio Ferrari was born in Milan, Italy in 1936. Self-taught, he has been painting since his youth but it was only when he reached the "watershed" of his 40th birthday that he decided to leave his job as a company manager and make painting his sole career. His work with oil and acrylic paints was soon joined by etching until--enraptured by the many, fascinating aspects of this centuries-old technique--he decided to concentrate all his activity on this expressive medium. Ferrari loves depicting nature in all its facets and without changing or distorting anything.
He prefers to record calm, pleasant scenes, sending out a "positive message despite the deterioration, which increasingly surrounds us.” It is certainly true that many people appreciate this vision of the environment and it is thanks to them that Ferrari's etchings leave the little village in Northern Italy. Edition number 101
Artist: Mikel Chaussepied, FRANCE
Media: Engraving
Edition: 32
Image Size: 6 1/2" x 4 5/8"
Description:
A garden gate with flowering shrubs surrounding it. Black ink on grey paper.
Born in October 1936 in Quimper into a family of architects, Mikel Chaussepied began his artistic studies between 1955 and 1958 at School of Fine Arts and Applied Arts of Cornouaille, which was later succeeded by the current European School of Art of Brittany. He continued his studies at the Regional School of Fine Arts in Rennes, presenting as his "regional culture thesis" a study in twenty lithographs of a canning factory in Kérity-Penmarc’h, and obtained his national diploma in Paris in 1960.
He began exhibiting as a painter in 1963 in Quimper. This first exhibition was followed by many others, both solo and group shows, in Nantes, Brest, Lorient, Rennes, and Paris. Having learned intaglio under Roland Sénéca in 1972, he soon began to exhibit engravings. In 1981, Soïchi Hasegawa invited him to exhibit at the Salon of Young Contemporary Engraving in Paris.
Apart from his lithographs created at the École des Beaux-Arts in Rennes and, more recently, ventures into relief etching, Mikel Chaussepied is primarily an intaglio printmaker who practices and combines etching, aquatint, and drypoint. His work is not exclusively Breton: it also reflects the curiosity of this traveling artist for Ireland (The Slea Head Wreck, Ireland), the English Cornwall (Boscastle, Cornwall), Australia (The Lightning-Struck Tree; The Swans of the Coorong), Patagonia (On the Patagonian Canals), Canada, the Seychelles (The Villa of the Seychelles)... Finistère, however, remains the most frequent setting, and within this department, a few favorite locations: the island of Molène, the Elorn River, as seen from his window in Le Relecq-Kerhuon, or the Cap Sizun, etc.
A figurative artist, attentive to landscapes both natural and shaped by humans, Mikel is a distant heir of the 'view artists' who roamed the French departments in the first half of the 19th century to record their various aspects during "picturesque and romantic journeys." He shares their fascination – also that of Henri Rivière – for the geological wonders of the Crozon Peninsula or the Cape. He is their successor and updates their perspective, for example when he engraves a particular aspect of Brest following its reconstruction.
Edition number 22
Artist: Mikel Chaussepied, FRANCE
Media: Engraving
Edition: 50
Image Size: 7 3/4" x 5 3/8"
Description:
Locronan, a Commune in Finistère, France.
Born in October 1936 in Quimper into a family of architects, Mikel Chaussepied began his artistic studies between 1955 and 1958 at School of Fine Arts and Applied Arts of Cornouaille, which was later succeeded by the current European School of Art of Brittany. He continued his studies at the Regional School of Fine Arts in Rennes, presenting as his "regional culture thesis" a study in twenty lithographs of a canning factory in Kérity-Penmarc’h, and obtained his national diploma in Paris in 1960.
He began exhibiting as a painter in 1963 in Quimper. This first exhibition was followed by many others, both solo and group shows, in Nantes, Brest, Lorient, Rennes, and Paris. Having learned intaglio under Roland Sénéca in 1972, he soon began to exhibit engravings. In 1981, Soïchi Hasegawa invited him to exhibit at the Salon of Young Contemporary Engraving in Paris.
Apart from his lithographs created at the École des Beaux-Arts in Rennes and, more recently, ventures into relief etching, Mikel Chaussepied is primarily an intaglio printmaker who practices and combines etching, aquatint, and drypoint. His work is not exclusively Breton: it also reflects the curiosity of this traveling artist for Ireland (The Slea Head Wreck, Ireland), the English Cornwall (Boscastle, Cornwall), Australia (The Lightning-Struck Tree; The Swans of the Coorong), Patagonia (On the Patagonian Canals), Canada, the Seychelles (The Villa of the Seychelles)... Finistère, however, remains the most frequent setting, and within this department, a few favorite locations: the island of Molène, the Elorn River, as seen from his window in Le Relecq-Kerhuon, or the Cap Sizun, etc.
A figurative artist, attentive to landscapes both natural and shaped by humans, Mikel is a distant heir of the 'view artists' who roamed the French departments in the first half of the 19th century to record their various aspects during "picturesque and romantic journeys." He shares their fascination – also that of Henri Rivière – for the geological wonders of the Crozon Peninsula or the Cape. He is their successor and updates their perspective, for example when he engraves a particular aspect of Brest following its reconstruction.
Edition number 43
Artist: Mikel Chaussepied, FRANCE
Media: Engraving
Edition: 55
Image Size: 3" x 2 1/2"
Description:
Pastoral scene on very thin paper. Some scarring on verso, at corners of paper - not in image or immediate border.
Born in October 1936 in Quimper into a family of architects, Mikel Chaussepied began his artistic studies between 1955 and 1958 at School of Fine Arts and Applied Arts of Cornouaille, which was later succeeded by the current European School of Art of Brittany. He continued his studies at the Regional School of Fine Arts in Rennes, presenting as his "regional culture thesis" a study in twenty lithographs of a canning factory in Kérity-Penmarc’h, and obtained his national diploma in Paris in 1960.
He began exhibiting as a painter in 1963 in Quimper. This first exhibition was followed by many others, both solo and group shows, in Nantes, Brest, Lorient, Rennes, and Paris. Having learned intaglio under Roland Sénéca in 1972, he soon began to exhibit engravings. In 1981, Soïchi Hasegawa invited him to exhibit at the Salon of Young Contemporary Engraving in Paris.
Apart from his lithographs created at the École des Beaux-Arts in Rennes and, more recently, ventures into relief etching, Mikel Chaussepied is primarily an intaglio printmaker who practices and combines etching, aquatint, and drypoint. His work is not exclusively Breton: it also reflects the curiosity of this traveling artist for Ireland (The Slea Head Wreck, Ireland), the English Cornwall (Boscastle, Cornwall), Australia (The Lightning-Struck Tree; The Swans of the Coorong), Patagonia (On the Patagonian Canals), Canada, the Seychelles (The Villa of the Seychelles)... Finistère, however, remains the most frequent setting, and within this department, a few favorite locations: the island of Molène, the Elorn River, as seen from his window in Le Relecq-Kerhuon, or the Cap Sizun, etc.
A figurative artist, attentive to landscapes both natural and shaped by humans, Mikel is a distant heir of the 'view artists' who roamed the French departments in the first half of the 19th century to record their various aspects during "picturesque and romantic journeys." He shares their fascination – also that of Henri Rivière – for the geological wonders of the Crozon Peninsula or the Cape. He is their successor and updates their perspective, for example when he engraves a particular aspect of Brest following its reconstruction.
Edition number 14
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 150
Year: 1981
Image Size: 36" x 24"
Description:
The Slot #8 is a 1 plate aquatint etching by Stephen McMillan. The image is a slot canyon near Borrego Mountain, Anza Borrego State Park, San Diego County, California. Edition number APXIV
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 2
Year: 1999
Image Size: 24" x 36"
Description:
December Morning is a 1 plate aquatint etching by Stephen McMillan of Helen Putnam Regional Park, Petaluma, California.
Long sold out, this is a much sought after image. This particular pull is one of two that Steve’s printers made to help him decide on a final color for the edition.
In the Fall and Winter cool damp fogs often descend upon the hills around Petaluma. This can be a magical time to wander through the native oak woodlands. One morning in December of 1995 was particularly beautiful. -Stephen McMillan
Other etchings based on this morning walk are: Winter Morning, Emma's Woods (rare - just one left!), Oak Grove, Morning Walk (sold out), Oak Grove, 1 plate edition, Misty Morning, Winter Oaks, and Winter Oaks #2. Edition number CTP 2
Artist: Peter Jogo, USA
Media: Mezzotint
Year: 2003
Edition: 30
Image Size: 8" x 6 3/4"
Description:
5 plate Mezzotint Engraving by Peter Jogo of a rural scene with dramatic clouds. Edition number 25
Artist: Micah Schwaberow, USA
Media: Wood Block
Edition: various
Year: 1988, 1989
Image Size: 3" x 3"
Description:
A suite of five original woodblock prints by Micah Schwaberow, of scenes from Yosemite National Park, matted to 11" x 14" in acid-free matboard and presented in an archival box.
Contains the following titles:
Afternoon, Tuolumne Meadow
Day’s End, Lembert Dome
Twilight, Unicorn Peak
Dawn, Lyell Fork
Morning, Tuolumne River
One suite only.
Artist: Peter Jogo, USA
Media: Pastel
Year: 2025
Image Size: 21 3/4" x 14 1/4"
Description:
original pastel drawing by Peter Jogo - unframed. Moonstone Beach in Cambria on California’s Central Coast. A stunningly realistic pastel drawing of the Pacific Ocean, rocks and Moonstone Beach with San Simeon to the North.
Artist: Jean Michel Mathieux-Marie, FRANCE
Media: Engraving
Edition: 180
Image Size: 12 3/4" x 6 3/4"
Description:
L'isl Tiburine is a steel plate engraving printed chine collé by Jean Michel Mathieux-Marie. Edition number 51
Artist: Monique Wales, USA
Media: Lino Cut
Image Size: 5" x 12"
Description:
A reduction lino-cut of a feather from a Red Tail Hawk by California artist, Monique Wales. Open edition - varied
Artist: Judith Rothchild, FRANCE
Media: Mezzotint
Edition: 75
Image Size: 3 7/8" x 7 3/4"
Description:
Mezzotint Engraving by Judith Rothchild, matted in acid-free eggshell to 13” x 16”. Light and shadows in the dark passageways of this old quarter in Morrocco. This is one of a series of mezzotints made while the artist was there.
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 80
Year: 2025
Image Size: 9" x 12"
Description:
1 plate aquatint etching by Stephen McMillan. Emigrant Lake, south of Ashland Oregon. Edition Number 2
“The afternoon sun cast intricate shadows through the oak woodland by Emigrant Lake, south of Ashland Oregon on this beautiful April day” -Stephen McMillan
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 50
Year: 2025
Image Size: 12" x 9"
Description:
3 plate aquatint etching by Stephen McMillan. Mt Shasta from Trinity Wilderness, California.
“Near our camping spot in the Trinity Wilderness in northern California there was this spectacular view of Mt Shasta to the northeast. I visited this view a few times, the last being before returning to camp to sleep under the stars. In this print I try to capture the soft evening light as the light fades.” -Stephen McMillan
Edition Number 7
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 80
Year: 2025
Image Size: 5" x 4"
Description:
3 plate aquatint etching by Stephen McMillan. Mt Shasta from Trinity Wilderness, California
“Near our camping spot in the Trinity Wilderness in northern California there was this spectacular view of Mt Shasta to the northeast. I visited this view a few times, the last being before returning to camp to sleep under the stars. In this small print I accentuated the soft evening light of the moment.” -Stephen McMillan.
Edition Number ap VII
Artist: Doug Hunt, USA
Media: Oil Stick
Image Size: 27" x 8"
Description:
Original Oil stick painting by Doug Hunt.
Artist: Doug Hunt, USA
Media: Oil Stick
Image Size: 22" x 8"
Description:
Original Oil stick painting by Doug Hunt.
Artist: Kathleen Cantin, USA
Media: Etching
Edition: 750
Image Size: 24" x 18
Description:
etching by Kathleen Cantin minor damage around edges of paper - image is fine image size approx: 24 " x 18"
Artist: Doug Hunt, USA
Media: Etching
Edition: 350
Image Size: 24" x 9"
Description:
Etching by Doug Hunt Edition number 9
Artist: Stephen McMillan, USA
Media: Aquatint Etching
Edition: 250
Year: 1990
Image Size: 10" x 4"
Description:
Northern Spring is a 3 plate aquatint etching by Stephen McMillan of snowy woods in Virolahti, Finland
In April 1971 I traveled to the southeast coast of Finland. Though I did not take many photographs while there, one shot captured some of the beauty of this spot. -Stephen McMillan
Special Order - allow 2 weeks for delivery.